Langue
:
Anglais (Dolby Digital 2.0), Québécois (Dolby Digital 2.0 Surround), Hongrois (Dolby Digital 5.1), Castillan (Dolby Digital 5.1), Italien (Dolby Digital 5.1), Polonais (Dolby Digital 5.1), Français (Dolby Digital 5.1), Allemand (Dolby Digital 5.1)
Les avis clients, y compris le nombre d'étoiles des produits, permettent aux acheteurs potentiels d'en savoir plus sur un produit et de déterminer s'il répond à leurs besoins.
Pour calculer le nombre d'étoiles et leur répartition en pourcentage, nous n'utilisons pas une moyenne simple. En effet, notre système prend en compte certains critères comme l'ancienneté d'un avis ou encore si l'auteur de cet avis a acheté l'article sur Amazon. De plus, il analyse les avis pour en vérifier la fiabilité.
On ne se lasse pas d'entendre "I got you babe" de Sony and Cher, chaque matin à 6h pile, dans la petite ville de Punxatawney ! Le calvaire de Bill Murray est jouisif !
This is a film that ought to be compulsory for everyone to watch - there are a lot of those - but the mixture of philosophical drama, slapstick comedy and the romantic feel-good factor is just right. Although Murray plays his character with comic gusto and there is never a dull moment when he's on-screen, the poignant, terrifying and lengthy process of his redemption shocks the viewer into the realisation that this is not, strictly speaking, a comedy film. It is, however, a testament to the cast and the directors that it manages to keep its pace and sense of humour and doesn't turn into a leaden moralising mass. Although Americans can't make a war film about another country's war, they can do this kind of magical fiction about their own society. What is good about the setting and the people in it is that it is so believable - despite "Hairdo" at the beginning, the cast is full of the misfits and weirdos very rarely seen in American productions. Murray is not a clean-cut kid, and in his very smugness at the beginning is ten times the character that Andie Macdowell is, and since her Rita too is flesh and blood, that is saying an awful lot. Too many ordinary heroines would fall for Phil Connors' womanising and his too-hasty attempts to gratify her, both while he is still manipulating various townswomen into sleeping with him and after he has begun to realise that he should start to treat women (in particular) better. Although Rita is a liitle saccharine-sweet at the beginning, she knows herself and Phil enough by the end to come across in a better light. Eventually you begin waiting with baited breath for 6am, to see whether Phil has made it out or whether he must live yet another day. And the final scene does keep you in suspense just a moment longer as the clock ticks over one last time from 5.59 to 6.00... The director calculates in the commentary that to become as good a piano/synth player as Phil Connors ends up, he'd need to spend at least ten years in his loop cycle - and that's not including what has gone before he takes his first piano lesson. That's the scariest part about it, and when you watch the included documentary and listen to the commentary (which is essentially watching the film over again, as the director takes care not to speak over the dialogue) you begin to realise the enormous amount of thought that went into the production of this. One frame does cut to a shot of the "Woodstock Jewellers" - showing up the fact that this was actually filmed in a small town in Illinois, as the real Punxatawney is not as picturesque as the film requires the town to be - but otherwise the illusion is firmly implanted in th e viewers' minds. Sadly the problem with the car chase scenes is that - if the roads are so good after a blizzard strong enough to close the freeway out of town, couldn't he just try to leave? Although it raised a question in my mind, the effect is only slight and if you are fully absorbed in what must be the most gripping film I've ever watched, then you'll hardly notice. The DVD (my Collector's Edition at any rate) comes with a lovely set of extras, including a full range of dub languages and subtitles. I watched it through in English with Polish subtitles (I speak this fluently and find it good to learn more colloquialisms by this method) but heck, if you wanted to try, say Italian with Hungarian or French with Czech, you could end up watching the film a hundred times - which really would be a Groundhog Day experience. Also when you click on a menu item the cursor changes from 5.59 to 6.00, which is a classic touch and which more DVDs should have.
